That Floating Excrement Was Way Too Symbolic! It's the TV Disappointments of the Past Year.

As we reflect on the television landscape of the past year, a handful of series stand out not for their brilliance, but for their notable shortcomings. Ranging from cringe-inducing sequels to confusingly poor documentaries, here are the programmes that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive spin-off? Plagued with dreadful scripts, painful character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to justify its existence. For a moment, as the third season began, it looked like it had finally found its groove. Then arrived an installment centered on Seema’s natural deodorant. No wonder the creator declared this would be the final season. It concluded on a bum note; the closeup of Miranda’s loo full of poo was simply too on-the-nose. Yet, fans certainly found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this show's issues. The subject of a exceedingly uncommon no-star assessment, it was difficult to know where to begin enumerating the problems. The hilariously leaden dialogue? The tedious veneration of affluence and materialism? The seemingly wilful parade of tropes? Acting so poor they felt almost spiteful? Let’s just say “each and every one” and never speak of this series again. However, a new season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse claims and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d really have gleaned it from this multi-part documentary which smirked its way at Sheen’s various episodes of reckless hedonism while struggling to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being indulged, so any sympathy this show might evoke should be reserved for the people who have had to suffer close contact with this charismatic but flippant egotist.

The Iris Affair

Naturally we knew it was ridiculous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure admiration for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

MobLand

Shady figures meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge unconvincing accents. But there were plenty of other problems. Primarily that it was just profoundly dull; a dispute over drug-selling territory between various cockney picaresques which seemed rather simplistic.

With Love, Meghan

Considering the degree to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised forays into twee lifestyle as intentional statements. But then you watch them and are forced to admit that in this case, they might have a point. It’s like watching a lifestyle magazine come to life; a meme for wine o’clock with ideas of grandeur; a procession of snoozing dogs, humming beehives, Hallmark sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by immense, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about both Victoria Beckham and her journey with vocation, self-image, self-worth. But for whatever reason, this documentary series chose not to say them. Rather, the viewing was like reading a sales catalogue. She obviously has good reason to resent what she describes as her “stern” image. But sadly, she failed to do herself any helps with this guarded letdown of a series.

The Inheritance

It had the potential to be the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you ask for? As players competed, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s even now too confusing to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a programme that was straining desperately to live up to something far greater than it.

Too Much

How does one succeed a show that defined a generation? The pressure was enormous for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of celebrity cameos involved felt icky.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the smart recruitment of gifted younger comics, expectations were high. But sadly, most of it fell flat. A particular sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled with care. Rather, the series laboured awkwardly to find the right voice, lurching from oddly breezy, slightly stylised farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Absolutely.

Prime Target

We love the lead actor … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could ruin society? Nope! This globe-trotting thriller about government agencies spying on – and killing off – academics frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the content creator notorious for sexual escapades as she prepared for her most extreme challenge yet. What on earth would possess her? What we craved was far greater interrogation of her actual psychology, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to drag her son away from the queue. What we got was disturbing imagery and zero critical analysis of her infamy whatsoever. And to think, the filmmaker has a young daughter too.

Michael Chavez
Michael Chavez

Tech enthusiast and mobile industry analyst with a passion for emerging technologies and user experience design.